News and Events



Until 1st November 2019
Shine 2019

The annual new talent showcase in jewellery and silversmithing at the Goldsmiths’ centre, London.  Monday-Friday 9am-6pm.  Atrium.  Free.


Until 17th November 2019
Exquisite Artistry: Victorian Jewellery Designs by the firm John Brogden

Among the V&A’s rich collection of design drawings are over 1500 designs for jewellery and goldsmiths’ work by the celebrated firm of John Brogden.  Renowned for their outstanding goldwork the firm produced pieces in an eclectic range of styles using highly sophisticated techniques to satisfy the demanding and discerning 19th century consumer market.  10am-5.30pm.  Free.


Until 31st July 2020
She Wields a Hammer: Five Centuries of Women Silversmiths

Display of objects on loan from the V&A and the Sheffield Assay Office.  Millenium Gallery, Sheffield.  Free.




28th October 2019
Goldsmiths and Bankers as Collectors – National Trust conference at Goldsmiths Hall

2019 will see the return to Osterley Park (visited by the Society last year) of one of the many remarkable Old Master paintings acquired by the Child family in the throes of Britain’s late 17th century financial revolution. The Childs are part of
 a long line of goldsmiths and bankers who have collected and patronised the fine and decorative arts, from the Medici in Florence to the present-day Rothschilds who continue
to be highly active across the cultural sphere. As these financial dynasties interacted and integrated with ruling elites, collecting and associated displays of taste, sophistication and magnificence became a much favoured and often extremely effective route to social and cultural distinction.

Financiers may be most obviously associated with an urban context, from the medieval livery company to the modern hedge fund, but the country house was and is an important venue
 for the display of their patronage and collecting. Among the holdings of the National Trust alone examples of estates with connections to goldsmithing and banking abound including, in addition to Osterley, Chirk Castle, Erddig, Trelissick, Stourhead, Mottisfont, Studley Royal, Waddesdon and Ascott.

This conference will bring together academics and curators to seek patterns of patronage across this influential and diverse social grouping. It will identify the range of social, economic
 and political motivations for their participation in high material culture and explore case studies of particular individuals, objects and places to illustrate the sheer variety of manifestations of the goldsmith and banker as collector and patron.

For further information follow this link.


6th November 2019, 18.00-20.00.  £10 including welcome drink.
Building Your Craft Industry Network and Starting Conversations
Goldsmiths’ Centre

This brings together practitioners from across the industry to launch Birmingham City University’s new e-book, Making Form: British Fine Metalwork, written by Kenneth Quickenden and Lee Hewitt.  For further details see


7th November 2019
Brief Encounter: Getting Ready for the Day – The Augsburg Toilette Service

Wallace Collection Tour.  1pm.  Free.  Places limited to 25.


8-10 November 2019

Jewellery and Silversmithing Fair, Edinburgh held at Lyon & Turnbull.
33 Broughton Place, Edinburgh EH1 3RR.


16-17 November 2019
Yorkshire Artspace’s Annual Open Studios

Persistence Works, 21 Brown Street, Sheffield S1 2BS


19th November 2019
Women in the Luxury Trades in 18th Century London

During the 18th-century, as now, the Cheapside area was known for its luxury goods.  Unlike today, most of those goods were made on the premises.  It is often assumed that women did not enter the labour force before the 20th century, but Amy Louise Erickson's research reveals an extraordinary number of women who ran manufacturing and commercial businesses in the heart of 18th-century London.  £10 includes a drink.  6-8pm.


20th November 2019
Gold Boxes and the Art of Taking Snuff

Wallace Collection Tour.  1pm.  Free.  Places limited to 25.


20th November 2019
The Colours of Christmas: Gold

This is the third of a group of pre-Christmas lectures at the Wallace Collection on the colours of Christmas.  Timothy Schroder’s is the last of the series and will explore gold and the depiction of gold in the telling of the Christmas story. 2.30-3.30pm.  £10.

Overseas Events


12th July – 31st October 2019 (Germany)
Gold and Silver Jewellery and vessels created by Ulla and Martin Kaufmann

Pforzheim Jewellery Museum, Jahnstrasse 42, 75173 Pforzheim, Germany.


Until 1st December 2019 (America)
Gorham Silver: Designing Brilliance 1850-1970

Commissioned to create everything from public presentation pieces to one-of-a-kind showstoppers for use in the private dining rooms of America, Gorham put uniquely American design on the world stage. Silver and mixed-metal wares produced from 1850 to 1970 by Gorham reflected the industry, artistry, innovation, and technology of its time for more than 150 years in America. Designing Brilliance will cast new light on the
legacy of this distinctive company, first established in 1831
in Providence, Rhode Island. The RISD Museum owns the largest collection of objects by this silver maker and Designing Brilliance is the first Gorham exhibition in nearly three decades. Admission charges apply, RISD Museum, Chace
 Center, 20 N Main St, Providence, RI 02903


Temporary Exhibition (Ireland)
21st Century Irish Craft

This exhibition showcases examples of the best of
Irish ceramics, glass, furniture, wood turning, jewellery, accessories and silverware. The exhibition, 21st Century Irish Craft, showcases contemporary Irish material in the national collection. Sun-Mon: 1pm - 5pm, Tues - Sat: 10am - 5pm. Free. National Museum of Ireland, Decorative Arts & History, Collins Barracks, First Floor, South Block, Benburb St, Dublin, D07 HW61

New books


“Making Form: Contemporary British Fine Metalwork” by Kenneth Quickenden and Lee Hewett. Birmingham City University. £5 e-book.

This publication critically explores the revival of British fine metalwork by designer-makers since roughly the 1970s. It demonstrates many strengths: the increase in that period in the number of practitioners, the creative use of a wider range of metals, the supplementing of traditional techniques with newer ones, design innovation and a wide range of products, with much emphasis on art objects; all of that, taken together, has transformed the craft. This success has been underpinned by a number of supports: government initiatives, assay offices, livery companies, professional associations, exhibitions and education, though there are increasing concerns about the availability of funding for craft teaching. That, and pressures created by periods of economic difficulty, offer challenges to a craft which
is expensive, and raise anxieties about the future. But over the period covered by the book, Britain has re-established fine metalwork and has earned itself a strong international reputation.

The book is substantial, scholarly and attractive. It contains roughly 70,000 words, including over 900 footnotes. Apart from eight chapters, there is a bibliography and
a glossary. There are 230 still and moving images.

The book will appear on-line in October 2019 on iBooks (an Apple platform designed to work on iPads). A downloadable version for other platforms (Android/Windows) will be available at a later date from a dedicated website.


Australian Gold and silversmiths Marks” by Jolyon Warwick James.  Hardback, 297 x 210 mm, 88 pages, ISBN 978-0-646-99639-4.  £45 (Silver Society members £ 35), Air Mail postage ex Australia £25.  Available from

From the records of the Sydney Hall Mark Co and the Commonwealth of Australia Hall Mark Co, 1923 to 1928.

It is not widely known that Australia had a hallmarking system. Reference is briefly made in J.P. de Castro’s work: The Law and practice of Hallmarking Gold and Silver wares and in a few specialised texts on Australian jewellery. Now published, for the first time, is the archival material giving the background to the operations and workings, of Australia’s short-lived hallmarking system, and the marks used by the gold and silversmiths.

The archive consists of 43 registration forms, some loose correspondence, and 20 silver plates on which are stamped the maker’s marks.

The correspondence is very illuminating. It includes a formal letter to the Commonwealth statistician outlining the Company’s background, formation, name change and marking system. A lengthy letter from the deputy Assay Master details operations and there is also the highly informative three-page annual report of 1924.

This fully indexed and illustrated publication includes an introductory essay on the life and times of silver and gold marking in Australia - as well as discussing the reasons for its demise. The Company ceased operating in 1940.

There has been an overall attempt to reproduce as much of the archival material as possible in its original size. The mood of the original ledger and its contents has been retained.

“Georg Jensen: Scandinavian Design for Living”.  Alison Fisher (ed.).  Yale University Press, 2018.  £40.  ISBN 978-0300232998.

A beautifully illustrated look at how Georg Jensen pushed the boundaries of modern domestic design.  In 1904 Danish silversmith Georg Jensen (1866-1935) founded one of the world’s most celebrated design companies.

“The Museum and the Factory; The V&A, Elkington and the Electrical Revolution” by Alistair Grant and Angus Patterson. ISBN 9781848222915, 160pp, hardback, £30.00

The book reveals a great untold story of enterprise and innovation based on the relationship between the Victoria and Albert Museum and Elkington & Co. Elkington played a crucial role in shaping and building the V&A’s permanent collection from its foundations in 1852 until the First World War . The great success of their relationship cemented both the museum’s status as a leading cultural institution and the Elkington & Co makers’ mark as one of the world’s first truly multinational designer brands.


“The Goldsmiths of Dublin, Six Centuries of
 Achievement” by Douglas Bennett
. ISBN 9780950548869, 106pp, full colour, hardback, €25.00 available from Four Courts Press, 7
 Malpas Street, Dublin 8, Ireland.
The history of Dublin’s goldsmiths is described in this important book, which charts the history of the Dublin Company of Goldsmiths from the Middle Ages to the present. It demonstrates the close link between the guild and the city and shows how
the Company adapted to changing circumstances to maintain relevance in the modern era. Granted a royal charter by Charles
I in 1637, the Company is the only survivor of the Dublin trade guilds. It has however a much longer and earlier history as the Goldsmiths’ guild took part in the late 15th century Corpus Christi pageant and goldsmiths are recorded in Dublin back
to the late 12th century. The Company was involved in civic government and several of its members were elected as
Lord Mayor of Dublin. Perhaps its greatest achievement was, through the Assay Office, guaranteeing the purity and probity
of Dublin gold and silver, which is still highly regarded today. Douglas Bennett is a former Master & Clerk of the Company
of Goldsmiths.


"Bradbury’s Book of Hallmarks" (ed.) Sheffield Assay Office. ISBN 9781872212098. 36th Edition.

£25.00 for the special edition and £15.00 for the standard edition (plus £3.00 postage and packing per book). Discounts are available on orders over 100 copies. A donation from the sale of each book will go to Mary Parsons Charity for retired silversmiths.

This new edition marks the 245th anniversary of the Sheffield Assay Office. This unique little pocket-sized reference book is of great value, providing you with the marks of origin on English, Scottish and Irish silver, gold, platinum and palladium, and on foreign imported silver and gold plate. There are updates on the amendments to the Hallmarking Act 1973. It also includes details of further marks that appear on precious metals until 2023.

To obtain a copy, please ring 01142 318152, Click to Email, or write to the Editor and Publisher, Sheffield Assay Office, Guardians’ Hall, Beulah Road, Hillsborough, S6 2AN.


"Stuart Devlin: Designer Goldsmith Silversmith", edited by Carole Devlin and Victoria Kate Simkin, ISBN 9781851498727, Hardback Publisher ACC Art Books, Pages: 528, £75.00

Stuart Devlin was a pioneer goldsmith who rejected the anonymity of corporate design during the 1960s.

He adapted old techniques and devised many new ones. His commissions include those for the Royal Households, cathedrals, the armed forces, sport and universities, as well as abundant private commissions. He is also a coin and medal designer. Australian born, recognition came to Devlin after designing the Australian decimal coinage in 1963. He has since designed coins for more than 30 countries. Also shown are numerous sketches and working drawings and many collectors will recognise pieces that they originally commissioned or have bought. Although it
 has been impossible to encompass everything ever designed
 or produced by Devlin, the book highlights how remarkable it
is that this wealth of ideas was conceived by just one man.


“Laurent Amiot. Canadian Master Silversmith” by René Villeneuve in partnership with the National Gallery of Canada.

During the eighteenth and nineteenth centuries, the making of silver objects was a major creative practice. Among the silversmiths working during the period Laurent Amiot is notable for his reputation in the field and the scale of his production.

 This book accompanies the exhibition that starts in May.

“Artists spoons & related table cutlery, A British History of Arts & Crafts Flatware” by Simon Moore
This long awaited opus is now available. It includes newly researched information and beautiful illustrations. The book portrays the not so humble spoon and how it was affected by this amazing era of new taste, artistry and elegance.
Available from at £60 (£50 to Silver Society members)

“Silver for Entertaining: the Ickworth Collection” by James Rothwell
One of the most important collections of eighteenth-century silver in Europe is to be found at Ickworth House in Suffolk. James Rothwell, the National Trust's adviser on silver, has undertaken a comprehensive study of the collection and the results are published this lavishly illustrated book. For full details and to order please go to 

“English Silver before the Civil War – The David Little Collection” by Dr Timothy Schroder
“A fascinating new book that uses one man’s collection to examine the social history of domestic silver from the Tudor and Early Stuart eras” Roland Arkell, Antiques Trade Gazette
For full details and to order please go to 

David Constable’s new book “Silver Spoons of Britain 1200 – 1710" was launched in September 2016
It is the history of the silver spoons of England, Scotland and Ireland chronologically by type from 1200 to 1710. There are approximately 2,260 images and 145,000 words, creating a complete reference of early spoons and their makers. Please visit David’s website to order it: There is also a special deal on his first book “The Benson Collection of Early English Spoons”.

“Silver in Georgian Dublin: Making, Selling, Consuming” by Dr Alison Fitzgerald
Published by Routledge and costs £95 from Hodges Figgis in Dublin or on

Silversmithing Prize

The Silver Society “Best Young Silversmith” award 2017 at “Inspired”

Many congratulations to the 2017 prizewinner, Patrick Davison for his seven sided silver chalice and his two boxes of mixed metal. Arthur Drysdale and Jeffrey Lassaline were the judges. Please follow this link for photographs and an article by Arthur.

Silver Menu Holders

A comprehensive article on Silver Menu Holders by Professor Salter


Press Release


House of Barnard   by John P. Fallon

Boudoir Labels 1753-1965   by John Salter

Bertrand’s Toyshop in Bath: Luxury Retailing 1685-1765 by Vanessa Brett

Art in Industry – the silver of Paul Storr by Christopher Hartop

Designer British Silver – from studios established 1930 – 1985 by John Andrew & Derek Styles